Friday, November 2, 2018

Brown Skin Showgirls, Vol I & II

Get both Brown Skin Showgirls books autographed by Leslie Cunningham (creator and filmmaker). 

Order the set here! 

All sales will help to support the documentary film project

Wednesday, October 3, 2018

Learn About the Project

The Harlem in Havana Project aims to entertain, titillate and educate audiences about the significant role Leon Claxton's Harlem in Havana revue played in shaping Black and Latin entertainment and popular culture in the Jim Crow era. 

Created by artist and filmmaker, Leslie Cunningham of TRIBES Entertainment, the goal of the project is to revive Harlem in Havana's rich history through a variety of thought-provoking content, including:

  • A website home,
  • A documentary film JIG SHOW, Leon Claxton's 
  • Harlem in Havana Brown-skin Showgirls Photography Book and Exhibits

This multimedia documentary project will engage communities of color in a way they are not being served in the media today. 

Ultimately, this project is a celebration of our multi-faceted past and a path for the descendants of African-Americans and Latinos to reflect, embrace, and liberate their own stories from historical amnesia. 

Contact us today for more information 

Tuesday, September 25, 2018

Brown Skin Showgirls, Vol II The Cuban Edition is Here!

From the secular to the spiritual, Afro-Cuban music and dance were rapidly growing in popularity in the U.S. by the mid-20th century. Yet, after The Cuban Revolution of 1959, international relations were shattered, artistic freedoms ended and travel was restricted to the tropical island once known as America's favorite vacation spot. 

Although the best talent from Cuba has long been forgotten in the states, Afro-Cuban culture still has a strong hold on many U.S. troupes who incorporate a rich Latin blend into their repertoires.Still, there is much to be discovered about how the Afro-Cuban craze landed and took root in American soil. 

Created by TRIBES Entertainment for The Harlem in Havana Project, BROWN-SKINSHOWGIRLS, VOL II: The Cuban Edition is a black and white photographic collection of the Cuban women who performed rhumba, salsa and calypso on Leon Claxton’s “Harlem in Havana” Revue in the 1950s. 

This book is guaranteed to expand your knowledge of these talented performers who wowed American and Canadian audiences, and helped popularize Latin entertainment in a way that still resonates today. 

All attempts have been made to verify the names and whereabouts of the women, and men, appearing in this book. Thanks to this special collector’s edition, they will never be forgotten. Get ready to be titillated!

Click here to learn more. 

Friday, March 30, 2018

Documentary Film About 'Harlem in Havana' Spotlights Afro Cuban Inspired Artists

Dancer and Choreographer
 Andrea Woods Valdés
DURHAM, N.C. - March 30, 2018 - PRLog -- Although the best talent from Cuba has long been forgotten in the states, Afro Cuban culture still has a strong hold on American entertainers. Today, many U.S. performance troupes incorporate blends of Latin, African and European cultures into their repertoires, but there is still much to be discovered about how the Afro Cuban craze landed and took root in American soil.

Later on this year, the long-awaited documentary film JIG SHOW | Leon Claxton's Harlem in Havana by producer and director Leslie Cunningham, will shine a light on this rich history. This weekend, Cunningham teams up with cinematographer Kelly Creedon in Durham, NC to conduct some of the final interviews for the film. Lined up are two powerhouse academics, dancer and choreographer Andrea Woods Valdés and artist and writer Dr. Joan Francisco Valdés Santos.

JIG SHOW is the story of 'Harlem in Havana', one of America's most successful traveling shows that birthed music icons, broke carnival records and significantly influenced Black and Latin entertainment during the Jim Crow era. The film also unearths the legend of African American showman Leon Claxton, a world-renowned impresario whose vision, passion and determination produced a multicultural stage show that still resonates with wonder today.

Arguably the hallmark girl show revue in North America, Claxton's popular midway attraction introduced a chorus-line of brown skin showgirls performing exotic, rumba, salsa and calypso dances. The film considers Claxton's work in pre- and post-revolution Cuba- maneuvering government and working closely with Cuban officials and nationals, such as the first recorded Santeria singer Mercedes Valdés'  and Cuban dance troupe, The Cuban Dancing Dolls, who traveled and performed early salsa and rumba on Claxton's show before the revolution. Claxton not only presented dance troupes from Havana, Cuba, he discovered new talent all over the Caribbean, including Haiti, Jamaica and Trinidad where the merengue dance was born. Read more.