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Step into the World of Harlem in Havana®

Harlem in Havana® is an award-winning multimedia storytelling experience created by filmmaker and cultural historian Leslie Cunningham. Through film, photography, live performance, music, and rare archival discoveries, it uncovers the remarkable story of Leon Claxton, whose groundbreaking Black and Cuban revue captivated audiences across North America during the Jim Crow era. Once nearly forgotten, this extraordinary legacy is being brought back to life, celebrating the artists, the history, and the cultural impact of Harlem in Havana.

Watch. Explore. Experience.

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Discover the Story Your Way:

Whether you’re here for the first time or returning to explore more, there’s more than one way to experience Harlem in Havana®.

  • Watch: Discover the documentary films and video series that bring this hidden history to life.
  • Read: Explore essays, stories, and research that reveal the people, places, and performances behind Harlem in Havana.
  • Experience: Join us for live screenings, exhibitions, and Brown Skin Showgirls performances that transform history into a shared experience.
  • Listen: Enjoy inspired music and curated playlists inspired by the sounds, rhythms, and spirit of the Harlem in Havana era.
  • Explore: Browse photographs, archival treasures, and stories that continue to grow as new discoveries are made.

Watch: Documentary Film

NOW STREAMING FREE ON TUBE: YouTube.com/HarleminHavanaFilm


Events: Brown Skin Showgirls


Harlem in Havana News


Exhibits: Brown Skin Showgirls: Leon Claxton’s Harlem in Havana, 1930s-1960s.


Photo Gallery: View Mesmerizing Snapshots from the Harlem in Havana Revue!


Books: Brown Skin Showgirls Vol I and II


Learn: Burlesque Education Series


Show

Leon Claxton’s HARLEM IN HAVANA REVUE

Step into the electrifying world where the Cotton Club collides with the Tropicana. Choose your era:

Welcome to the extraordinary Harlem in Havana Revue, a dazzling spectacle brought to life by the visionary showman, Leon Claxton. This high-octane, fast-stepping showcase of Black and Cuban music, dance, and comedy was historic phenomenon that graced U.S. and Western Canadian state fairs and carnivals from 1935 to 1967 as part of the renowned Royal American Shows.

Harlem in Havana, under the genius of Claxton, featured the best colored amateur and professional acts from the U.S. and Cuba, captivating audiences for nearly four decades. A multicultural extravaganza, the revue showcased the most beautiful brown-skin showgirls from around the world, becoming the hallmark girl show on the North American midway.

Imagine best musicians, playing blues, jazz, Latin, R&B, and early rock-n-roll, with Claxton’s big band echoing across the carnival midway. This tour de force served as a training ground for future entertainment heavyweights, featuring memorable acts like Cuban vocalist Mercedes Valdes, the sensational Harlemettes, and the captivating Fay Lawrence.

Harlem in Havana was a headlining attraction competing with burlesque icons and all-white Las Vegas-style cabaret shows, culminating in an hour+ long extravaganza that consistently left fairgoers across North America spellbound. The show served as a launchpad for music legends like Fontella Bass, Rufus Thomas, Chuck Berry, etching its name in the history of entertainment.

View more images in the photo gallery.

Leon Claxton’s tent show, known by various names like Brown Skin Vanities Revue and Cuban Rum Boogie Revue, evolved into the iconic Harlem in Havana in the late 1940s. Despite being labeled a ‘Jig Show,’ Harlem in Havana transcended the limitations of its time, achieving mainstream and international acclaim. Financially triumphant, it broke industry records and garnered nationwide and international attention as one of the finest revues ever presented under canvas.

In an era when mainstream entertainment closed its doors to African Americans and performers of color, Harlem in Havana stood as a vibrant platform. Claxton not only entertained segregated audiences but also played a crucial role in reshaping images of Black and Latino identity, spreading Afro-Cuban and African American rhythms across the region.

For African American audiences during the era of Jim Crow, Harlem in Havana was a source of pride and celebration. It often stood as the only carnival venue people of color were permitted to patronize, making it a cultural touchstone on Negro Day in cities like Tampa, Memphis, and Little Rock.

However, as political landscapes shifted with Castro’s rise to power in Cuba, Claxton faced challenges. Fidel Castro’s government changes forced Claxton to adapt, leading to a change in the show’s name and the hunt for new Cuban talent becoming increasingly challenging.

Enter the Harlem Revue.

Marking the 30th tour with Royal American Shows, Claxton added an all new lineup, led by Maurice Fontane and featuring attractions like Greta Garland and Kim Gaye, kept the show fresh and thrilling. The Harlem Revue continued to captivate audiences until 1967, the year Leon Claxton passed away.

For those who witnessed the magic of Claxton’s stage shows, the memory of Harlem in Havana remains an indelible mark on North American carnival history. A legendary spectacle that blended excitement, entertainment, and history – Leon Claxton’s Harlem in Havana will forever stand as the greatest midway attraction, a timeless celebration of culture and showmanship.

Explore the rich tapestry of this iconic era through our documentary film project, an immersive journey into the heart of Leon Claxton’s unparalleled legacy.

Producer Leon Claxton

Leon Dunkins Claxton Sr.
Showman/ Producer/ Vaudeville Artist
(1902-1967)

Step into the epic saga of Leon D. Claxton Sr. (April 1902-November 1967), a luminary, a trailblazer, and an African American icon whose life unfolds like an awe-inspiring odyssey through the turbulent era of Jim Crow.

In the enchanting realm of outdoor entertainment, Leon Claxton emerges as an award-winning showman and vaudeville virtuoso. His legendary stage shows, “Harlem in Havana” (1946–1960) and the “Harlem Revue” (1961-1967), not only captivated audiences but etched his name in the annals of American history.

As one of the nation’s first black entertainment moguls, Claxton defied the constraints of his time, spreading the infectious rhythms of Black and Latin music and dance to mainstream audiences. A true star-maker, he revolutionized musical theatre, laying the foundation for a road show empire that would echo through the realms of television, musical theatre, and nightclub performances. Against all odds, Leon Claxton reached the pinnacle of his career with the triumph of “Harlem in Havana,” amassing wealth and social distinction as a self-made black entrepreneur.

Bronze Ziegfeld of Chicago

Born in the crucible of Beale Street to the musically renowned Claxton family, young Leon’s journey catapulted him into the circus world, where he honed his craft and eventually featured in his own contortion act by the age of 16.

Venturing from the Jim Crow South to Chicago’s thriving South side, Claxton became a driving force in the city’s burgeoning art scene. His home at 3845 South State Street became a haven for black musicians, setting the stage for his rise as a vaudevillian sensation. Claxton’s own sepia revues, or race shows, became instant successes, showcasing street artists, musicians, dancers, and choreographers.

The narrative unfolds with Claxton’s meteoric rise, from Chicago to the global stage. His productions, hailed as “must-see” spectacles, garnered attention and admiration from entertainment giants like Flo Ziegfeld. The Claxton phenomenon reached new heights with the 1933 Chicago World’s Fair, where he produced the all-colored musical revue “The Cotton Club Showboat Revue,” earning accolades and catching the eye of Carnival king Carl J. Sedlmayr.

The birth of “Brown Skin Vanities Revue” marked a turning point, breaking industry records and solidifying Claxton’s reputation. Renamed multiple times, the troupe eventually became the iconic “Harlem in Havana” in 1946, a name that resonated for the next 15 years.

Tampa’s Most Beloved Showman!

As Claxton’s star ascended, so did his personal life. A jet-set millionaire, he married his leading lady, Gwendolyn Bates, in 1938. Gwen, a true superwoman, played a pivotal role in managing the troupe and maintaining the Claxton household’s luxurious lifestyle.

Beyond the glitz and glamour, Leon Claxton became a noble figure in Tampa’s business community and civic society. A philanthropist and civil rights advocate, he tirelessly raised funds for underprivileged children and supported outdoor showmen leagues.

A Sanctuary of Sophistication and Strength

In a groundbreaking move, Claxton built the Claxton Manor Motel in 1965, one of the first integrated accommodations in the Tampa/St. Petersburg area. The motel hosted top African American celebrities, further solidifying Claxton’s legacy as a visionary and a champion of equality. Throughout Black Tampa, Claxton Manor was known not only for its stylish accommodations but for the vibrant life it hosted. It was a sanctuary where music, culture, and community thrived—a place where guests could experience Black excellence without compromise.

The Manor regularly welcomed top-tier athletes, renowned politicians, and major entertainers, offering them a dignified refuge during turbulent times. Lavish parties and unforgettable live shows turned the motel into a local legend. Managed with grace by Gwendolyn Bates Claxton after Leon’s passing—and supported by her devoted sister Shirley Bates, who oversaw operations like housekeeping and the dining room—Claxton Manor stood as a beacon of Black pride, elegance, and perseverance.

Leon Claxton’s story is one of resilience, ambition, and an unyielding commitment to his dreams. Illiterate, yet shrewd, he navigated the intricacies of the entertainment industry and left an indelible mark on history. His life, a testament to the power of the entrepreneurial spirit, continues to inspire and captivate.

Discover the extraordinary life of Leon D. Claxton Sr. through the lens of our documentary film project that unveils the untold chapters of a true American legend.

Contact us to learn more.

About

About Harlem in Havana®: Winner of the “Uncovering History Award”, ” by Dancinema!

Harlem in Havana® began with a family archive, a grandfather’s remarkable life, and a simple question: How could a story this extraordinary have almost disappeared from history?

Created by filmmaker, artist, and cultural historian Leslie Cunningham, Harlem in Havana® uncovers the remarkable legacy of Leon Claxton and his groundbreaking Black and Cuban revue that traveled across North America during the era of Jim Crow. At a time when opportunities for Black performers were limited, Harlem in Havana created a stage where dancers, musicians, comedians, singers, and entertainers captivated audiences from coast to coast, leaving a cultural impact that has largely gone unrecognized.

Today, Harlem in Havana® is an ongoing journey to preserve, celebrate, and share the lives of the artists whose talent, resilience, and creativity helped shape American entertainment.
Through films, books, photography, exhibitions, live performances, educational programs, and digital storytelling, we’re reconnecting audiences with a vibrant chapter of history that deserves to be seen, heard, and remembered.

Discover the Story Your Way:

Whether you’re here for the first time or returning to explore more, there’s more than one way to experience Harlem in Havana®.

  • Watch: Discover the documentary films and video series that bring this hidden history to life.
  • Read: Explore essays, stories, and research that reveal the people, places, and performances behind Harlem in Havana®.
  • Experience: Join us for live screenings, exhibitions, and Brown Skin Showgirls performances that transform history into a shared experience.
  • Listen: Enjoy music and curated playlists inspired by the sounds, rhythms, and spirit of the Harlem in Havana era.
  • Explore: Browse photographs, archival treasures, and stories that continue to grow as new discoveries are made.

Making an Impact, Reigniting a Movement

From festival honors to museum exhibits, from educational scholarships to international recognition, This multimedia project is a cultural rebirth and living history. It’s time the world knew this story. Harlem in Havana Project creator Leslie Cunningham has been honored as Guest of Honor, keynote speaker, and educator at:

  • BurlyCon (2022)
  • The International Booklover’s Burlesque Festival (2023)
  • The Rose Academy of Burlesque (2023)
  • The Atlanta School for Burlesque (2024)
  • Burlesque Hall of Fame (2025)
  • The Raleigh School of Burlesque (2025)
  • The New York Public Library of Performing Arts (2026)
  • The David Atrium Lincoln Center (2026)

Each invitation is another opportunity to bring these remarkable stories into the public conversation—where they have always belonged.

Brown Skin Showgirls

History doesn’t belong only in books or museums. Sometimes it belongs on a stage. Presented by Harlem in Havana®, Brown Skin Showgirls is a live performance experience inspired by the extraordinary women whose artistry helped define Harlem in Havana. Combining dance, music, archival photography, film, and storytelling, each performance honors the performers who came before while celebrating the artists carrying that legacy forward today. Learn more.

Whether you’re watching a film, visiting an exhibition, reading an essay, attending a performance, or simply discovering these stories for the first time, you’re becoming part of a community that believes forgotten history deserves a place in our shared memory.

Thank you for being here. Welcome to Harlem in Havana®.